Opening new conversations about gambling: an interview with Professor Fiona Nicoll on her new book Gambling in Everyday Life

Fiona Nicoll interviewed by Jay Daniel Thompson

 

In your book, Gambling in Everyday Life: Spaces, Moments and Products of Enjoyment, you mention that a great deal of research into gambling has been undertaken by researchers in the field of Psychology. How can a Cultural Studies framework enrich a reader’s understanding of gambling in everyday life?

Yes.  Much of this work has been produced from the 1990s to the present and can be understood as a consequence of the rapid expansion of commercial gambling over this period and of electronic gaming machines (what we call ‘pokies’ in Australia), in particular.  Psychology as a discipline is not necessarily hostile to cultural studies frameworks, as the importance of psychoanalytic theory to certain theories of subjectivity and society attest.  And arguments from behavioural psychology – in particular those of BF Skinner– continue to have important insights to offer about addictive components of gambling products.  However, the kind of psychology that continues to dominate the field of gambling research is often very narrowly focussed on clinical studies or dedicated to establishing patterns of problem gambling prevalence within specific communities and jurisdictions.  Much of this work is either oblivious or actively hostile to research that reaches into political, legal or socio-cultural factors linked to gambling harms.  One way these factors are avoided in the dominant psychological discourses is to focus on individual responsibility and pathology as the source of gambling harms.

 

  • The book discusses the prevalence of the ‘problem gambler’ trope. Why has this trope been so enduring?

The trope of the ‘problem gambler’ is directly related to and produced by an intellectual consensus that the pathological or ‘disordered’ individual should be the focus of methods, theoretical frameworks and solutions offered by mainstream gambling research.  This would be less problematic if there was more transparency about the interests that are served by this trope.  However, in reality, research focussed on defining, counting and governing the ‘problem gambler’ supports a fiction that commercial gambling provides important services to a silent majority of ‘recreational’ gamblers.  It also generates agendas of action (or inaction) that gambling businesses, governments and health organizations can agree on.  Cultural figurations of problem gambling that circulate within our societies enable most of us to evade the difficult double-binds that confront gamblers and non-gamblers in our everyday lives.  These range from the apparently trivial dilemmas such as ‘am I a ‘bad sport’ if I don’t participate in the Melbourne Cup Sweeps at work?’ to more serious issues such as ‘what do I do when my disabled relative spends too much money at the pokies at the local RSL, which also happens to be the only wheelchair accessible entertainment venue in my suburb?’

 

You use ‘finopower’ as a lens through which to study gambling. What does this term mean, and how has it been useful to your research?

The term ‘finopower’ is an extension of Michel Foucault’s theory of governmentality, as well as an application of it to account for the role that gambling plays in statecraft more broadly.  I draw particularly on Foucault’s reflections on how the value of frugal government was pushed to extremes in the neoliberal theories of Chicago School economists.  After re-reading the history of liberal political philosophy, I came to realise that, while Foucault’s account of neoliberalism is useful for understanding some aspects of gambling, such as the cultivation of entrepreneurial, risk-managing citizens, it fails to examine how gambling itself mediates a relationship between the private spheres of business and consumption and public sphere of government and its institutions.  It is not just that gambling is important for formative liberal theorists, from John Stuart Mill to John Maynard Keynes; it is impossible to imagine liberal democratic states without some kind of organised gambling that provides taxation revenue.

My book argues that gambling is ‘statey’ in the sense that it requires and is sustained by intimate connections with processes of government.  There is a paradox here: on the level of representation, gambling appears to exemplify the practices of rugged individualism with which freedom in neoliberal societies is associated, but on the level of practice, gambling organisations work closely with governments, from lobbying and political donations, to granting licenses for major casino developments, and delivering programs to promote ‘responsible gambling’.  The concept of finopower helped me to understand how gambling and finance converge in everyday life to foster and disallow different forms of life.

A recent example was the government’s decision in my home province of Alberta to leave casinos open during the early phase of the COVID-19 health crisis.  A combination of Indigenous activism over energy resource infrastructure and falling oil prices has left the province in a precarious financial position; gambling has become an increasingly important way to balance the books. In spite of widespread closures in other places where large numbers of people gather, the government kept casinos open right up to the point that a state of emergency was declared. We can see how gambling is linked to biopower and what Mbembe (2003) calls ‘necropolitics’, as this decision arguably endangered the lives of workers and elderly players in particular.

 

  • Do you understand Gambling in Everyday Life as contributing to a destigmatising of gambling?

Yes. It is unfortunate that the predominance of psychological and medical research on gambling over the past 30 years has flattened public awareness of important socio-cultural dimensions of gambling.  The very term ‘gambler’ often evokes one of two stereotypes. On one hand, it evokes a pathological figure – often imagined as older and female – hunched over a pokie machine. On the other hand, it evokes a young male at a poker table during the WPT embodying a romantic notion of what it means to be a ‘player’.  Of course, the truth is much more complicated.  As part of my book’s destigmatising mission, you will find interviews with and case studies of all kinds of gamblers, from sports bettors, to workplace punters, to regular EGM players. I also draw on my own experience of cultural spaces of gambling throughout the book – including the ‘pokie lounges’ that are ubiquitous in Australian suburbs.  I use this material to show that gamblers are usually very ordinary people who are simply consuming different kinds of products offered by gambling businesses.  And I show that these products are increasingly packaged as ‘entertainment’, and continuous with everyday pastimes like videogames, rather than belonging to separate spaces or moments.  Gambling is destigmatised by a focus on the broader networks of belonging that connect gamblers, both to institutions and to one another, in the pursuit of enjoyment.

 

  • You write: ‘This ambiguous status of Indigenous citizenship is important if we are to understand gambling’s role in the development and implementation of liberal democratic projects from the eighteenth century to the present.’ How exactly is this ‘ambiguous status’ important?

I’m glad you asked me this. As a researcher on gambling between Australian and North American contexts, as well as a researcher in the area of critical race and whiteness studies, it is clear that unresolved constitutional issues in settler-occupied states shape what gambling means, who benefits from it and how it is regulated.  The status of Indigenous citizenship is ambiguous in the sense that political struggles continue over un-ceded territories and the legal rights that Indigenous people have to determine their own lives and to resist encroachment on their lands.  This problem began for Indigenous people when Australia, Canada, the United States and New Zealand established themselves as nation-states with racial concepts and policies that excluded them from the values of ‘white civilisation’.  In North America, gambling has provided some tribes and first nations with resources to close gaps in education, health and cultural vitality opened by over two centuries of colonialism.  In Australia, Indigenous gambling has sometimes been used as a pretext for discriminatory welfare reforms such as the Centrelink ‘basics card’.  So, it is not the case that Indigeneity and gambling are analytically discrete problems or categories. Each modifies the other in specific spaces and political struggles which continue to be shaped by whiteness and institutionalised racism.

 

  • You refer to a Left perspective on gambling. Presumably this perspective understands gambling as a product and agent of capitalism. In my experience, though, gambling has not been a high priority for the Left in recent years – at least not to the extent that (say) climate change or same-sex marriage has. Do you have a different experience?

I love this question, Jay.  My observation is that the important work of left wing (or neo-Marxist) thinking about gambling has been primarily oriented to changing the prevailing common-sense in the world of gambling research. That is, the fiction I described above that gambling is an issue for pathological individuals rather than society at large.  There is some terrific creative work being done in the area of public health.  For example, Peter Adams (2007) equates the social and ethical degradation caused by commercial gambling with the environmental devastation caused by large scale deforestation.  In terms of same sex marriage and other political movements refracted through the lens of ‘identity politics’, gambling is in an interesting position.  While some gambling researchers are more oriented towards post-feminism (e.g. Abarbanel and Bernhard, 2012), others examine labour relations in commercial gambling industries from a critical feminist perspective (Chandler and Jones, 2011; Mutari and Figart, 2015) One reason this work is not more widely known is that the psy-scientific stronghold on gambling research keeps the focus on problem gambling rather than on the more interesting and politically engaging landscape of everyday life.  That’s why I chose to focus on spaces, moments and products of gambling in the book – all of these have political dimensions that need to be explored more fully than they have previously been.

 

  • Is there anything else you would like to say about your book, or about gambling as the topic of critical enquiry?

Yes.  My journey through the gambling and critical cultural studies literature in the course of writing and researching this book has made me passionate about creating a forum to support humanities and social science researchers who address different aspects of gambling.  With the support of leading scholars in the field, I have established a new journal titled Critical Gambling StudiesIt also features a website and blog posts by gambling researchers on topics from stigma and money laundering to urban gambling developments and videogame promotions.  Our first open issue has just come out and I hope your readers will take a look.  They should also feel free to contact me at fnicoll@ualberta.ca to pitch ideas for articles or special issues on gambling.

Gambling in Everyday Life is available now.

Critical Gambling Studies is now online.

 

References

Abarbanel, B. L., & Bernhard, B. J. (2012). Chicks with decks: the female lived experience in poker. International Gambling Studies, 12(3), 367-385.

Adams, P. (2007). Gambling, freedom and democracy. New York, NY and London, UK: Routledge.

Chandler, S., & Jones, J. B. (2011). Casino women: Courage in unexpected places. Ithaca, NY: Cornell University Press.

Mbembe, A. (2003). Necropolitics. Public Culture, 15(1), 11–40.

Nicoll, F (2019). Gambling in Everyday Life: Spaces, Moments and Products of Enjoyment, NY/London: Routledge.

Mutari, E., & Figart, D. M. (2015). Just one more hand: Life in the casino economy. Lan- ham, MD: Rowman & Littlefield.

BIO

Professor Fiona Nicoll holds an Alberta Gambling Research Institute Chair in Gambling Policy at the Department of Political Science at the University of Alberta.  She is a founding member of the Australian Critical Race and Whiteness Studies Association and the author of From Diggers to Drag Queens (Pluto Press, 2001), co-editor of Courting Blakness: Recalibrating Knowledge in the Sandstone University (2015), Transnational Whiteness Matters (2008) and numerous book chapters and articles in the areas of critical gambling studies, critical race and whiteness studies, the neoliberal university and queer theory.   

The Loneliness Room project

Professor Sean Redmond (Deakin University) is undertaking a creative research project that explores how people experience loneliness, using the notion of the loneliness room as the central way to express it.

For the purpose of this project the loneliness room is defined as a real or imagined space where we feel lonely or go to find loneliness. We may also prefer to call this quality or state one of aloneness where it is solitude and isolation we seek.

Each of us will have our very own version of the loneliness room: it could be the hills we walk on, a morning swim at the beach or the local swimming pool, listening to a certain sad song in our bedroom, the morning commute, writing in our diary, or the park we go to sit in at lunchtime. Rooms are, of course, the spaces we are now asked to spend most of our time in.

The project explores not just the isolation of loneliness but the social, creative and experiential possibilities of loneliness in all walks of life: this is loneliness as a natural part of the human condition.

Professor Redmond is asking those interested in taking part to respond to the idea of the loneliness room through sharing their creative responses and/or completing a short questionnaire.

The creative response is meant to capture your loneliness room and can be:

Photograph(s) (with/without captions)

Short video(s)

Drawing(s)

Painting(s)

Diary

Social media posts

Hand-written letter(s) (which could be posted to me)

Songs, composition, audio

Recorded performance

These creative responses will then be housed in a loneliness room website, where participants can also directly post their own representations of the loneliness room. These responses can either be ‘signed’ or anonymous.

If you are interested in taking part please:

Forward Professor Redmond your creative interpretation of the loneliness room using any media you feel comfortable with. You can also supply an accessible link to this work for this purpose.

  1.  
  2. Complete the online questionnaire, available here: https://researchsurveys.deakin.edu.au/…/…/SV_eet1GBIsIn3etiR

Visit: https://www.facebook.com/The-Loneliness-Room-103293261203851/

A plain language statement and consent and withdrawal form can be found here:https://documentcloud.adobe.com/link/review?uri=urn:aaid:scds:US:46ecdcca-15a2-4a35-bf86-e9d6dc9fa666

To submit work, for further information or if you have any questions please contact Sean Redmond at: s.redmond@deakin.edu.au

InASA publication subsidy for Early Career Researchers

InASA ECR Publication Subsidy 2020.flyer. (2)

The International Australia Studies Association has a publication subsidy that is designed to assist early career researchers working in Australian Studies.

Eligibility / Selection Criteria: Applications are assessed by a sub-committee established by the InASA executive. The committee will rate applications according to academic merit and demonstrated need for a subsidy. Priority is given to works that require a subsidy for their viability as a publishing venture, or for the inclusion of essential items such as illustrations, photographs or maps. Applicants need to prove that they have limited access to funds to complete publication of the work, or that without the subsidy the work would go either unpublished or be published in a diminished capacity.

Please note that a Publication Subsidy cannot be awarded to books that are published before the committee makes its determination.

While InASA membership is not a precondition for applying for this subsidy, if the application is successful InASA membership is a prerequisite to accepting the subsidy.

Early Career Researcher: For the purposes of this subsidy InASA’s definition of an ECR is an individual who is within five years of the award of their PhD. The InASA ECR Publication Subsidy Scheme sub-committee has discretion to vary this limit if evidence of significant career disruption can be documented.

Award Value: Up to $1,500

Application procedure: Applications must include all of the following:

  1. A cover sheet signed and dated by the applicant.
  2. A completed Application Form (downloaded from the InASA website).
  3. A synopsis of the project (3–5 pages).
  4. A publisher’s report OR an assessment of the work by a recognised scholar in the field.
  5. Evidence from the publisher demonstrating support for the work.

Feedback will not be provided to unsuccessful applicants.

Closing Date: 5pm (EST), 30 June 2020

Submission: Please submit applications to Associate Professor Anne Brewster, Chair, InASA ECR Publication Scheme Committee, International Australian Studies Association (InASA): A.Brewster@unsw.edu.au

Call for Papers: CSAA Conference 2020: Bodies in Flux

Dates: 2-4th December 2020

Location: Edith Cowan University, Perth, Western Australia

 The conference theme calls for papers that interrogate the notion of bodies and change, with the understanding that the body frames everyday life (human and non-human). Bodies in flux, both political and politicised bodies, might be understood in terms of local, national and global contexts.

 In our current cultural climate of disruption, mobility, movement and tension, how do bodies function in relation to each other, to the social order, hierarchies, and culture. In addition, we welcome Cultural Studies submissions (panels and individual papers) that explore how bodies become produced and excluded through discursive practices.

 Themes include:

  1. Bodies out of place
  2. Global, national or local bodies
  3. Hurt bodies
  4. Politicised Bodies
  5. Bodily/affective experiences in relation to digital and social media
  6. Changing bodies of theory/pedagogy
  7. Bodies on screen (film, photography, digital and social media)
  8. Refugee bodies
  9. Unruly bodies
  10. Aspirational bodies (bodies in and under neoliberalism)
  11. Non-human bodies

 

The conference welcomes proposals that address this theme as well as general papers in the field of Cultural Studies.

 

Please go to the website for more information:

https://www.csaa2020conference.com 

 

CSAA Prefix Day

*The Conference Committee would like to invite postgraduate students, casual academics, independent scholars and early career academics to apply for the CSAA Prefix Day, to be held on December 1, 2020.

Call for Papers: Interculturalism in a Polarised World

The UNESCO Chair on Cultural Diversity and Social Justice and the Journal of Intercultural Studies

23–25 September 2020

Deakin University, Australia

 

In a decade characterised by continual and growing anxieties over diversity and inclusion, there is an ever greater need to discuss the salience and limitations of the conceptual frames that we use when thinking about contemporary forms of mobility and difference, especially, multiculturalism, transculturalism, interculturalism, cosmopolitanism and transnationalism.

 

The UNESCO Chair on Cultural Diversity and Social Justice and the Journal of Intercultural Studies (JICS) invite abstracts and panel proposals for this conference. We anticipate submissions exploring, but not limited to, the following guiding questions:

  1. At a time when migration and diversity remain one of the most visible faces of social change and inequality, how are these, or other frames, able to explain and respond to the increased polarisation of contemporary societies?
  2. Can existing frameworks allow us to build creative analyses and understandings that highlight both the particularities of the migrant experience, but also their shared experiences or commonalties with non-migrants?
  3. Examining the salience and limitations of existing frames, what new concepts and methods are needed to deepen our understandings of contemporary forms of mobility and difference at multiple levels of social life?
  4. What critical insights can be gained from existing primary research to advance an academic and policy agenda that deepens the inclusion of migrants and other minorities across scales?

 

Abstract submissions and panel proposals open until 4 May 2020 via the conference website: https://adi.deakin.edu.au/events/interculturalism-in-a-polarised-world

 

Following the conference, selected presentations shall be shortlisted for submission to JICS.

 

Call for Papers: Critical Fashion Studies Conference

Thursday 27- Friday 28 February 2020, University of Melbourne

The aim of this two-day conference is to build academic research and industry networks to address a range of themes relevant to the future of fashion, including: sustainable and ethical fashion production and consumption; fashion start-ups and economic sustainability; corporate models of social responsibility and transparency; “slow” fashion and new economies of value; critical femininities and the feminization of fashion production and consumption; fashion entrepreneurs in South-East Asia and the Pacific; and local and global labour practices.

Hosted by the Critical Fashion Studies research collective in the School of Culture and Communication, at the University of Melbourne, the conference will include keynote lectures from established international scholars and fashion industry panels. It encourages contributions from early career researchers and postgraduate students and scholars working on fashion from a range of disciplines and methodologies.

Topics to be explored include (but are not limited to):

  • –  Critical Femininities, Fashion and Beauty –
  • –  Sustainable and Ethical Fashion –
  • –  Fashion and Social Media –
  • –  Entrepreneurial Labour and Fashion Start-ups –
  • –  Local/Global Labour Practices –
  • – Critical Fashion Methods/Pedagogies
  • – Fashion Innovation and Technology
  • – Corporate Sustainability and Fashion
  • – Critical Fashion Histories
  • – Rethinking Value

Please send abstracts of 250 words, along with a brief, 50-word biography to
criticalfashionstudies@gmail.com by: October 15, 2019
Attendees will be notified by: November 11, 2019

Activism @ the Margins Conference: Stories of Resistance, Survival and Social Change

Where:
and Melbourne Town Hall, 90-130 Swanston St, Melbourne, Victoria

When
10-12 February 2020

Confirmed Keynote Speakers:
PATRICIA HILL COLLINS, Distinguished University Professor Emerita (University of Maryland)
GARY FOLEY, Professor of History (Moondani Balluk, Victoria University)
VICTORIA GRIEVE WILLIAMS, Adjunct Professor (RMIT University)

 

Driven by desires to dismantle entrenched power structures, populism and autocracy, and to save the Earth, people from the local grassroots are connecting with activists internationally from #BlackLivesMatter to #ExtinctionRebellion to #IsupportStandingRock to #ReclaimtheNight and other Anti-Rape and Anti-Violence Against Women supporters, from the Arab Spring to #SOSBlakAustralia and other movements around the world.

We have married the lessons of women, Indigenous, black and gay liberation movements of the 60s and 70s with organising against racism and discrimination of the 80s and 90s with new models and tools of resistance in the digital age. Protests are now transformed by new technologies and social media, allowing people to assemble, share experiences and give voice to perspectives that would otherwise be excluded.

How do we make sense of these protest movements in the digital age and in relation to social change over time? This conference offers a chance for pause, reflection and critical engagement of this complex question. Papers, posters and panel proposals are invited on the following themes:

  • Creative, storytelling and performative approaches to the analysis or presentation of protest cultures or forms of activism, ‘artivism’, ‘craftivism’ and other communities of practice (especially from the perspectives of exiles, minority and marginalised communities)
  • Possible topics may include (but are not limited to): climate change, environmentalism, racism, discrimination, same-sex marriage, sexism, surveillance, exclusion, mental health issues, homelessness, cyber-bullying, violence against women, men, children or families, human rights, Indigenous rights, refugee rights, women’s rights, land rightsHow storytelling, song, voice, dance, music, art, festivals and other modes of performance amplify the voices of marginalised people through social movements and protest, and to what effect

 Non-violent resistance, symbolic protests, political non-cooperation, hunger strikes, civil disobedience or civil resistance (satyagraha)

Media (documentary, film, video, audiovisual) and narrative representations of historically, socially, culturally, economically and politically disadvantaged groups and minority voices

Innovations in protest practice to advance inclusion, share knowledge, change government policy, and engage wider local and global publics

How identity-based activism (Indigenous, LGBTIQAx, elders, ethnicity, disability, migrants, refugees, youth, students, gender) engages political issues

Challenges protesters face and the philosophies, tools and leadership strategies they adopt, reinvigorate or reject

Contextualising and exploring the relationship and differences between social media protests today (YouTube, Skype, WhatsApp, virtual private networks, hashtags, street and screen activism) and traditional protests in the pre-Internet age (sit-ins, wade-ins, lunch counter protests, pamphleteering, speaker shout downs, obstructions); what we can learn or unlearn from past social movements

  • Collective action that combines politics with technology, activism in literature, visual activism, guerrilla activism, grassroots activism, culture jamming, vigils, boycotts
  • Theories of participation, community engagement and the public sphereInsights into the nature of social change and its relationship to protest action.
  • Conference Targets
  • This conference aims to bring together academics/activists to explore all forms of protest action, issues, events, experiences and people (from scholars, organisers and grassroots peoples’ activism) and from those writing from within or about the global South.
  • We welcome presentations from those working on the overarching topic of Stories of Resistance, Survival and Social Change, over space and over time. That is, our focus is transnational and historical as well as contemporary and local.
  • In particular, we invite theoretical and empirical contributions that reflect on one or more of the following questions:

How might we consider the ubiquitous protest sign ‘you cannot represent us’ that is now being brandished by waves of dissenters, non-conformists, resistance fighters and their allies around the world?

In what ways are we witnessing new kinds of ‘performance protest’? – music, song, dance, festivals, expressive, creative and bodily repertoires of resistance, cultural revitalisation, community outreach and empowerment

Are there ‘safe spaces’ for protest and what forms do these spaces take both online and offline?

What does it mean to be an ally for a cause? What do allies gain or risk losing? What are the limits and possibilities of ally work? How have minority voices worked with allies? What makes a valuable or authentic ally?

What existing or new concepts allow us to observe and describe instances of social change in protest movements over time?

How are digital tools being used to document protests and activism and how are these uses transformative and emancipatory, or undermined through policing, incarceration or surveillance?

Why and how do everyday citizens without activist experience come to be mobilised, to stage protests or occupy public spaces, in order to grow their movements and catalyse social change?

Send abstracts, panel proposals and enquiries to: activism2020@gmail.com
Applicants are invited to submit an abstract of max. 250 words and a short bio of max. 250 words by 1 October 2019.

Call for EOI: School of Indigenous Australian Studies Postgraduate Scholarships

The Charles Sturt University Higher Degree Research Scholarship Round is now open and The School of Indigenous Australian Studies is currently calling for EOI for postgraduate study.

The round includes scholarship opportunities for both domestic and international applicants, and is open to candidates commencing in 2020 as well as those currently enrolled in a Higher Degree by Research Program.

These scholarships are highly competitive and are awarded on the basis of academic merit; past research achievements and/or professional experience; alignment with Charles Sturt’s Research Narrative; and the quality of the research proposal.

Applications for the international scholarships will close at 5pm (AEST), on Friday, 30 August, 2019 and for domestic scholarships will close at 5pm (AEDT) on Friday, 31 October 2019.

If you have any queries about applying for scholarships please contact graduateresearch@csu.edu.au

The staff at the School of Indigenous Australian Studies have a diverse research range of expertise and interests and can supervise Higher Degree Research students in the following areas:

·         Indigenous and Indigenist research methodologies;

·         Racial stereotyping and news media;

·         Online pedagogies;

·         Social memories and oral histories;

·         Western and Indigenous knowledge systems in Science education;

·         Reviving Indigenous Cultures and Knowledges;

·         Traditional Indigenous Ecological Knowledges;

·         Co-construction of social and ecological knowledges;

·         Barriers to self-determination for Aboriginal business owners and operators.

 

The Global Undergraduate Awards – seeking judges

The Global Undergraduate Awards (UA) is seeking voluntary Judges, namely in their Social Sciences: Anthropology & Cultural Studies category.

UA is the world’s largest global undergraduate academic awards programme. A non-profit organisation initially founded in Ireland, they discover excellence at the undergraduate level by inviting the world’s best students to submit their coursework. There are 25 award categories, and UA invites experts to assess students’ work in each.

Headed up this year by Returning Chair Dr. Zakaryya Abdel-Hady of Qatar University, Social Sciences: Anthropology & Cultural Studies is an essay-based category which has always received a lot of submissions at UA. In recent years, the category has become increasingly popular among students working in interdisciplinary fields of gender studies, critical race theory, queer theory, cultural studies, migration studies, and disability studies, and therefore it is important that the experience and approaches of panellists reflect this as UA grow the number of Judges on the panel to balance workload. Further information for Judging candidates on the process and how to sign up can be found online here: https://undergraduateawards.com/the-ua-network/ua-judges.

Acting as a Judge for UA allows academics to meet colleagues in their panel from all over the world, and it also exposes Judges to some of the best undergraduate student coursework in their field. This exposure can be particularly advantageous for individuals working in academia or intending to work in academia. UA primarily accepts Judges who are professors, lecturers, tutorial assistants, PhD candidates, and professional experts outside of the arena of academia.

Call for Papers: Fan Studies Network Australasia Conference

CFP FSNA 2019-1

Please find attached a Call for Papers for the Fan Studies Network Australasia’s 2019 conference. This will be held at Swinburne University of Technology from December 11th – 13th, 2019.

The focus of the conference will be on the impact of technological, cultural, and media change on shifting fan practices, and vice versa: the impact of fan practices on technological, cultural, and media change.

Please send a 300 word abstract and a 150 word bio by the 15th of July as a word doc attachment to the conference organising committee: jbalanzategui@swin.edu.au. Use the Subject Line: “Abstract Submission FSNA2019” and the following the file name convention: Surname_ProposalTitle